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Anybody who has sat and tried to painstakingly full a 1,000 piece jigsaw will seemingly look upon Ai Weiwei’s newest Lego work with awe. Product of 650,000 Lego bricks in 22 colors, the staggering 15m-long work is a recreation of Claude Monet’s triptych Water Lilies (1914-26) from the gathering of the Museum of Trendy Artwork, New York. The biggest Lego work that the dissident Chinese language artist has ever made, Water Lilies #1 (2022) will go on present at London’s Design Museum when it opens Ai Weiwei: Making Sense subsequent month (7 April-30 July).
The unique Impressionist masterpiece—depicting one of many lily ponds at Monet’s dwelling in Giverny, close to Paris—has change into an internationally well-known picture of nature and lightweight. For his model, Ai has used Lego bricks to “strip away Monet’s brushstrokes in favour of a depersonalised language of business elements and colors,” in response to a press assertion. “These pixel-like blocks recommend modern digital applied sciences that are central to trendy life, and in reference to how artwork is commonly disseminated within the modern world.”
However what’s that hidden door on the best facet of the Lego picture? The darkish portal depicts the underground dugout in Xinjiang province, China, the place Ai and his father, Ai Qing, lived in pressured exile within the Sixties. “Their hellish desert dwelling punctures the watery paradise,” an announcement says. Who knew Lego may have so many dimensions? Who knew a lily pond may very well be so deep?
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